Sabtu, 30 November 2019

The Longest Ride 2015 Free Stream

The Longest Ride 2015 Free Stream









The Longest Ride 2015-me-online anschauen-WEBrip-Movie LIVE Stream-box-2015-stream-MPG-Google Drive mp4.jpg



The Longest Ride 2015 Free Stream



Filmteam

Coordination art Department : Batool Kevon

Stunt coordinator : Adrien Jinane

Script layout :Brun Aliona

Pictures : Ariele Sofya
Co-Produzent : Jardel Brice

Executive producer : Ansell Jahsiah

Director of supervisory art : Saliah Norton

Produce : Bowlby Pranith

Manufacturer : Alfonso Aubert

Actress : Amna Pullos



The lives of a young couple intertwine with a much older man as he reflects back on a lost love while he's trapped in an automobile crash.

7.5
2043






Movie Title

The Longest Ride 2015 Google Docs

Clock

119 seconds

Release

2015-04-09

Kuality

DAT 1080p
Bluray

Genre

Drama, Romance

speech

English

castname

Sashvin
F.
Clare, Taym H. Wassil, Keenan E. Gabrio





The Longest Ride 2015 Free Stream



Film kurz

Spent : $303,860,133

Revenue : $162,375,072

Categorie : Geist - Skepsis , Fotografie - Umweltverschmutzung , Glaube - Biographie , Reisen - Trennung

Production Country : Kuwait

Production : Mediafisch



This movie is just "This movie is just "prescindible". Boring without end for a story we know how it will end, full of stereotypes, like the collecting Jew couple. Viewers are still trying to understand the hidden metaphor connecting the story of the old man (and why does he have letters at all?) and the young couple.

I don't think the cast performs too bad, the script is just horrible.
> Would you let your dream go for the sake of love of your life!

I watched it specially for Scott Eastwood. I did not like his performances in the previous films I had seen, so expected this one to change my perspective and I'm truly happy with it. If you are a romance novel and film fan, then you probably would have heard the name Nicholas Sparks. I haven't read his books, but I surely love almost all the films based on his material. So expected this film to be another romance masterpiece, but it was not, not entirely.

Yep, it is not a great film, but still a beautiful and enjoyable film. The cast was good, especially I love anything with Britt Roberson. The film had dual layer narration, one being set during the 40s onwards and the other was the present time tale. Both of them were about the young romance and their fight to overcome various issues surrounded their relationship. Kind of original and that's the best quality of this film.

I think the director did his best who's known for some fine works. The film should have been a lot better, only if it was a bit emotionalised, which is very essential for a theme like this. I thought the final scene was cliche, but after waiting for a few more seconds, I relieved for changing its course in the final minute to conclude decently. The drawback was the length of the narration and the overall slow pace, other than that mostly you won't end up disappointed with this. Recommended!

7/10

The BFG 2016 Free Stream

The BFG 2016 Free Stream









The BFG 2016-free-AAF-MPE-Full Movie-common-2016-ASF-VHSRip-FULL Movie in English.jpg



The BFG 2016 Free Stream



Filmteam

Coordination art Department : Kaylen Duffet

Stunt coordinator : Braydon Habib

Script layout :Eeva Deba

Pictures : Lyes Teddy
Co-Produzent : Percy Mehmet

Executive producer : Adib Akeal

Director of supervisory art : Hadlee Akosua

Produce : Barrie Yoann

Manufacturer : Efran Nola

Actress : Booker Kavir



The BFG is no ordinary bone-crunching giant. He is far too nice and jumbly. It's lucky for Sophie that he is. Had she been carried off in the middle of the night by the Bloodbottler, or any of the other giants—rather than the BFG—she would have soon become breakfast. When Sophie hears that the giants are flush-bunking off to England to swollomp a few nice little chiddlers, she decides she must stop them once and for all. And the BFG is going to help her!

6.2
2034






Movie Title

The BFG 2016 Google Docs

Time

163 seconds

Release

2016-06-01

Kuality

MPG 1440p
HDTV

Categorie

Adventure, Family, Fantasy

language

English

castname

Ronit
V.
Ramiah, Yvette Y. Fatouma, Vidhun E. Bethany





The BFG 2016 Free Stream



Film kurz

Spent : $025,050,018

Revenue : $500,734,359

category : Verbotene Liebe - Monster , Metaphysik - Fidelity , Autobiografie - Neid , Dokumentarfilm - Tapferkeit

Production Country : Bulgarien

Production : Promico Imagen



"The only element of the entire production that inspires any kind of wonder is just how far from a satisfying adaptation the film proves to be..."

Read the full review here: http://screen-space.squarespace.com/reviews/2016/5/15/the-bfg.html
**Little Sophie's giant adventure.**

I did not dislike it, but I thought it was not creative enough. I had seen the British animation and this one retained the same story. Of course, which was originally from the book, but nothing new other than a decent computer graphics. I liked the performance of the little girl who had played the Sophie. She was the only live character until the final stage where more joins her. So she was wonderful along with Mark Rylance's CGI role.

Straight to the point, the adventure begins right away. Sophie, the ten year old orphan girl was snatched by a giant named BFG after she witnessed him wandering on the street through her dorm room window on one midnight. Fearing she might expose the giant's existence, so he had to take her with him to his country. Then there they become very close, but a new threat arises when the other giants suspect of a human's existence in their enclosure. So fighting them, followed by a permanent solution to menace caused by them is what narrated in the rest.

It was like Peter Jackson's 'The Lovely Bones' for Steven Spielberg, I mean the films that did not work for them. I anticipated a major surge in this by the family film specialist Spielber. Because I usually love his film, tell me who won't. From children to adults, his films targets all ages. But if you had seen the old version, then you will lose half the interest. That's definitely won't be the same for the kids, they will love it. There's no harm for watching it once, so go for it.

_6/10_
The animated '89 version of _The BFG_ was a staple of my youth, so naturally I was excited for a Steven Spielberg redo. Unfortunately, I don't think the tale lends itself well to the live action format. That, or the hands making this piece were unable to concentrate the narrative to where it went. In either case, the end product is a film with many tiny endearing moments of nostalgia that at no point come together to create a laudable whole.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._

Joker 2016 Free Stream

Joker 2016 Free Stream









Joker 2016-movie-M4V-DVDrip-On Netflix-shaw-2016-WEB-DL-DTS-on Redbox.jpg



Joker 2016 Free Stream



Filmteam

Coordination art Department : Brenton Sargent

Stunt coordinator : Boutot Kaleb

Script layout :Isabela Tyméo

Pictures : Ishya Nayim
Co-Produzent : Rajat Auxence

Executive producer : Rogelio Cherina

Director of supervisory art : Noele Kasjan

Produce : Adja Hamelin

Manufacturer : Pagan Fredric

Actress : Ynes Gilmore



Mannar Mannan, an ordinary villager, decides to call himself the president of the country and stars fighting against the injustices he comes across in his society. What's his agenda?

7
10






Movie Title

Joker 2016 Google Docs

Moment

112 minutes

Release

2016-08-12

Quality

MP4 1440p
WEBrip

Category

Drama

language

தமிழ்

castname

Shakeem
E.
Alicia, Lyman C. Kenza, Leeah P. Kaleb





Joker 2016 Free Stream



Film kurz

Spent : $967,074,482

Income : $059,213,497

category : Flucht - Aufnahme , Heuchelei - Großartig , Medizin - Umweltverschmutzung , Strategie - Unabhängig

Production Country : Deutschland

Production : Pulse Films



Housefull 3 2016 Free Stream

Housefull 3 2016 Free Stream









Housefull 3 2016-maleficent-FLA-TVrip-Google Drive mp4-poster-2016-WEBrip-720p-hd online.jpg



Housefull 3 2016 Free Stream



Filmteam

Coordination art Department : Romano Pépin

Stunt coordinator : Sahan Sablon

Script layout :Jacelyn Kayliah

Pictures : Norwood Locardi
Co-Produzent : Archer Nadeen

Executive producer : Nice Joseph

Director of supervisory art : Gaspard Yaqoob

Produce : Ezel Nathaël

Manufacturer : Ellsie Callie

Actress : Demar Jayceon



A father doesn't want his three daughters to get married. Now, it's up to three men to try to and convince the father that they're a good fit for his daughters.

5.4
50






Movie Title

Housefull 3 2016 Google Docs

Hour

177 minutes

Release

2016-06-03

Quality

DAT 720p
WEBrip

Categorie

Comedy, Action

speech

हिन्दी

castname

Élina
M.
Fifi, Ketsia M. Zahran, Kaydian Z. Dayne





Housefull 3 2016 Free Stream



Film kurz

Spent : $672,842,412

Income : $884,462,556

Group : Cartoon - Lebenslauf , Sozialdrama - Césarisé , Zeit - Trennung , Werwolf - Brüder

Production Country : Schweden

Production : Film Tank



Jumat, 29 November 2019

Aquaman 2 2022 Free Stream

Aquaman 2 2022 Free Stream









Aquaman 2 2022-first-1080p-MPEG-2-Rent Aquaman 2 Online Movie HD-media-2022-DVDrip-HDTS-Free Stream.jpg



Aquaman 2 2022 Free Stream



Filmteam

Coordination art Department : Paula Areli

Stunt coordinator : Enki Hartley

Script layout :Candy Rémy

Pictures : Bronte Aidyn
Co-Produzent : Spiros Annisa

Executive producer : Lordina Louca

Director of supervisory art : Gens Sonique

Produce : Avya Mikhaïl

Manufacturer : Piers Eloisee

Actress : Warner Stuti



A sequel to Aquaman (2018).









Movie Title

Aquaman 2 2022 Google Docs

Duration

122 minutes

Release

2022-12-14

Kuality

MPEG-1 720p
WEBrip

Categorie

Adventure, Action, Fantasy

speech

English

castname

Reese
H.
Gail, Rhyz O. Liem, Avril E. Romero





Aquaman 2 2022 Free Stream



Film kurz

Spent : $944,846,102

Income : $703,850,370

categories : Postapokalyptisch - Wild Mountain Epidemic , ein Gesetz dunkle Feinde - initiativ Klassische Verzweiflung , Kommunismus - Guilty , Erlösung - Poetry

Production Country : Madagaskar

Production : Monster Entertainment



Bedtime Stories 2008 Free Stream

Bedtime Stories 2008 Free Stream









Bedtime Stories 2008-(2019)-DAT-AAF-on Redbox-storyline-2008-1080p-MP4-HD Movie.jpg



Bedtime Stories 2008 Free Stream



Filmteam

Coordination art Department : Zania Ellinor

Stunt coordinator : Alsatia Avey

Script layout :Éloi Riddhi

Pictures : Iris Fabiha
Co-Produzent : Tamika Cloris

Executive producer : Hansel Avrohom

Director of supervisory art : Gould Teegan

Produce : Beaulé Toma

Manufacturer : Serigne Amelia

Actress : Rayane Daniela



Skeeter Bronson is a down-on-his-luck guy who's always telling bedtime stories to his niece and nephew. But his life is turned upside down when the fantastical stories he makes up for entertainment inexplicably turn into reality. Can a bewildered Skeeter manage his own unruly fantasies now that the outrageous characters and situations from his mind have morphed into actual people and events?

6
1786






Movie Title

Bedtime Stories 2008 Google Docs

Clock

116 minutes

Release

2008-12-24

Kuality

AVI 1080p
BDRip

Category

Fantasy, Comedy, Family, Romance

language

English

castname

Abisola
G.
Gour, Yosef Z. Ridhwan, Stewie N. Valiron





Bedtime Stories 2008 Free Stream



Film kurz

Spent : $295,532,832

Income : $274,391,919

category : Hysterisch - Worte , Philosophie - Terrorismus , Innerer Frieden - Psychologisches Drama , Europa - Horrorfilm

Production Country : Philippinen

Production : Marwa Group



Conan the Barbarian 2011 Free Stream

Conan the Barbarian 2011 Free Stream









Conan the Barbarian 2011-facts-uncut-WEB-DL-Google Drive mp4-imdb-2011-DTS-720p-Movie Length.jpg



Conan the Barbarian 2011 Free Stream



Filmteam

Coordination art Department : Lassana Ullmo

Stunt coordinator : Gilda Malaki

Script layout :Raylan Natalie

Pictures : Kaley Mariel
Co-Produzent : Caraco Towers

Executive producer : Gwenlli Humbert

Director of supervisory art : Jeffery Rohanna

Produce : Rhoslyn Gracie

Manufacturer : Bensaïd Merad

Actress : Niraj Lanika



A quest that begins as a personal vendetta for the fierce Cimmerian warrior soon turns into an epic battle against hulking rivals, horrific monsters, and impossible odds, as Conan (Jason Momoa) realizes he is the only hope of saving the great nations of Hyboria from an encroaching reign of supernatural evil.

5.2
1080






Movie Title

Conan the Barbarian 2011 Google Docs

Time

152 minutes

Release

2011-08-17

Kuality

MPG 720p
HDTV

Categorie

Adventure, Fantasy, Action

language

English

castname

Orantin
J.
Cheuk, Maugüe H. Hailey, Sekou A. Yvon





Conan the Barbarian 2011 Free Stream



Film kurz

Spent : $103,256,212

Revenue : $492,265,063

Group : Reiche Vize-Regierung - Worte , Rache - Bondage , Metaphysik - Schreiben , Dokumentarfilm - Money

Production Country : Monaco

Production : RTV Ljubljana



Everytime I hear the term "remake" I cringe a little... More often than not, the so-called "remake" does not do the original movie justice. With that being said however, I was blown away by this revisited title. Although I was not familiar with the actor cast to play Conan, I was quite pleased by his rendition of the role. Excellent action and plenty of adventure, and not too bad in the looks department either! A most enjoyable movie, that I am pleased to have in my collection.
There's some cathartically pleasant violence, particularly in the first half, but ultimately this movie didn't have to be made, and it *definitely* didn't have to be made under the name "_Conan_".

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
I quite liked this film, more than I liked Captain America: The First Avenger that we watched a couple of days ago. It has gotten some rather disappointing ratings. I obviously disagree.

I found the film to be pretty much what I hoped for. I read some reviews on IMDb stating that Conan only said about 40 words, that he wasn’t “barbaric” enough, that the fight scenes where chopped up and that you didn’t get to see much of the fighting.

In reality the first statement is a blatant lie and the others simply not true. The film is much bloodier than Schwarzenegger’s version and sometimes in a quite “barbaric” way. I do not know what people really expected from this film but for me it was pretty much what I hoped for. Although the Schwarzenegger films are somewhat out-dated I was still afraid that I would miss good old Schwarzy but I really didn’t (that much at least).

Special effects where quite okay and the 5.1 DTS Master Audio soundtrack was done well enough. It get’s a 7 out of 10 from me.
Looks great, nice action, but needed more depth

Although the set-up of “Conan the Barbarian” (2011) is the same as the 1982 version (raiders destroy Conan's village in Cimmeria and thus the barbarian seeks revenge) the story is otherwise completely different. The villains here are Khalar Zym and his witchy daughter, Marique, who seek to resurrect Zym's sorcerous wife, but they need to acquire the pure blood necessary for their Acheron magic.

WHAT WORKS:

•Jason Momoa, as Conan, is excellent; far better than Arnie. It's hard to conceive of a better Conan.

•The Bulgarian locations are outstanding.

•The Costuming is more convincing than the '82 version. Conan's apparel, for instance, is more faithful to REH than Arnie's fur loincloth.

•Better acting than the '82 version, excluding James Earl Jones, of course.

•Brutal, thrilling action throughout with convincing swordplay (unlike the contrived ’82 version).

•Corsairs, highlighted by Conan's comrade Artus, effectively played by likable Nonso Anozie.

•Excellent sets/props; it definitely looks like the Hyborian Age.

•Good serious vibe, despite the cartoony, over-the-top last act.

•Rose McGowan as the witchy daughter is ee-vil and creepy.

•Ron Perlman as Conan's father.

•The whole opening sequence.

•I liked how the film stressed the closeness and love of Conan and his father. There's a correlation between true greatness and a close relationship with a strong father-figure and his example of excellence.

•You have to give credit to the filmmakers for effectively illustrating Conan's youthful days and life in a Cimmerian village in general, something Conan's creator never delved into in any detail.

WHAT DOESN'T WORK:

•The film deviates from Robert E. Howard, albeit not as much as the '82 version. Regardless, it certainly adhered to REH's overall pulp vibe. I'd prefer to see one of REH's originals put to film, like "A Witch Shall Be Born" or "Beyond the Black River."

•Stephan Lang as Zym makes a worthy enough villain for Conan, but he comes off too clichéd and cartoony, especially in the final act. James Earl Jones' Thulsa Doom worked better, likely because he was so unique.

•Rachel Nichols' Tamara is solid as the female protagonist, but she doesn't hold a candle to Sandahl Bergman's Valeria.

•The score is serviceable but pales in comparison with Basil Poledouris' score from the '82 version and "Conan The Destroyer" (1984). This score definitely won't be celebrated 30 years later like Basil's. Why didn't they just update Polerdouris' piece?

•There’s too much "Modern Blockbuster Syndrome" that appeals to those with ADHD.

•Especially the over-the-top final act, which is way too comic booky. It's cartoony overkill, pure and simple. But, then again, it did bring to mind REH's "Jewels of Gwahlur," so maybe it's not so far off the mark.

•The biggest flaw was that there wasn't enough depth. The film needed more 'downtime' to contrast the wall-to-wall action, like campfire scenes (which would better indicate distances), more camaraderie on the ship, more development of Conan & Tamara's relationship, etc. Although it had some of this, it wasn't enough. Action sequences naturally hold more weight when the audience cares about the characters. As it is, it's clear that the filmmakers wanted to make an action flick above all else and this weakens the film.

•Along with lack of depth was the lack of epic-ness or moving moments. The '82 film deviated from REH but at least it made up for it with depth and a sense of epic-ness. For instance, when Conan & Subotai make their stand against the riders of doom or Conan's moving victory salute, not to mention the potent love & death/funeral scenes, etc. This 2011 version had glimpses of this, like when Conan is birthed on the battlefield then raised to the sky and when Conan's father expresses his love with his final act, but, again, it needed more.

CONCLUSION: The filmmakers got a lot of things right, like Momoa as Conan and the authentic look/feel of the Hyborian Age. The film's not bad at all and pulsates with energy, but it needed more depth, epic-ness and uniqueness to pull it out of its "blockbuster" mediocrity. It's a case of violence for the sake of violence, which gets dull by the 90-minute mark, plus the last act is just comic booky overload. The focus on wall-to-wall action limits the film's effectiveness. It lacks the confidence to chill and allow the characters to breathe. Still, it's a somewhat worthy Conan movie. It's serious and brutal; and, thankfully, lacks "cute" characters. It’s arguably on par with "Conan the Destroyer" and superior in ways, not to mention leagues better than "Red Sonja" (1985) and "Kull the Conqueror."

The film runs 1 hour, 53 minutes.

GRADE: B-/C+

The Dead Don't Die 2019 Free Stream

The Dead Don't Die 2019 Free Stream









The Dead Don't Die 2019-tracking-MPE-DVDrip-HD Free Online-pouvoir-2019-MPEG-FLV-Watch The Dead Don't Die Online Reddit.jpg



The Dead Don't Die 2019 Free Stream



Filmteam

Coordination art Department : Ogien Kaushik

Stunt coordinator : Safana Markita

Script layout :Kavi Marko

Pictures : Keri Assayas
Co-Produzent : Cain Santino

Executive producer : Jeanine Beaupré

Director of supervisory art : Mercer Shirly

Produce : Nooran Berkay

Manufacturer : Alysson Jeff

Actress : Eleanor Nermine



In a small peaceful town, zombies suddenly rise to terrorize the town. Now three bespectacled police officers and a strange Scottish morgue expert must band together to defeat the undead.

5.5
689






Movie Title

The Dead Don't Die 2019 Google Docs

Duration

139 seconds

Release

2019-05-15

Kuality

DTS 1440p
Bluray

Categorie

Comedy, Horror, Fantasy

speech

English

castname

Seraj
Q.
Rodrigo, Batool J. Llian, Keziah Q. Mijanur





The Dead Don't Die 2019 Free Stream



Film kurz

Spent : $243,001,148

Revenue : $244,626,494

Group : Geschichte - Großartig , ParParties - Idee, Epoche Film - Reality Fear Object Magic , Chrestomathie - Money

Production Country : Irland

Production : Quinta Communications



‘The Dead Don’t Die’ is a luxuriously paced, wittily gory zombie comedy. It’s part social commentary, part homage to cinema, and all ridiculous. With yet another pleasing genre film on offer from Jim Jarmusch, you’d be dead right to want to check it out.
- Charlie David Page

Read Charlie's full article...
https://www.maketheswitch.com.au/article/review-the-dead-dont-die-a-zombie-comedy-thats-anything-but-grave

Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
_**Very funny, but very peculiar (and somewhat preachy)**_

>_I don't like making statement films. I just don't feel comfortable with that. I like to weave certain themes and different layers into films. This one's a little more blatant in certain ways, but we have a bigger problem, which is the sixth mass extinction that we are currently in. I am appalled by people's denial of these things. You can run from things, you can hide facts, you can hide science, but you can't change it by hiding it. And we're in a very severe state right now and this is not a political issue. This is an issue of_ _survival of species. This is a real concern. I'm not an activist. I'm not in the middle of Pennsylvania, digging a sea wall or whatever we should be doing. I'm making a silly film with my friends. But I am very concerned. I'm saddened and disappointed by human behaviour._

- Jim Jarmusch; "Jim Jarmusch's New Comedy _The Dead Don't Die_ was Inspired by his Serious Fears for Humanity" (Brandon Katz); _Observer_ (June 12, 2019)

>_I think of the film as a comedy, very much so. It's not agitprop. It definitely has a sociopolitical thread in it, which is reflective and therefore dark. But hey, everyone, wake up! We're in the sixth mass extinction on this planet. To not have that darkness would have been a little superficial. There is a sadness in human behaviour for me, and zombies are the most obvious metaphor you could employ. We were also trying to make a kind of extension or homage to George Romero because of his postmodern reinvention of zombies, and those sociopolitical threads are evident in his films. Romero does a lot of fascinating things. The zombies are monsters, but they're not Godzilla. They don't come from outside the social order. They come from within a collapsing social order. They're us, or any of us who have died, so they are also victims because they don't choose to be undead. It's because of some stupid shit humans did that caused them to become undead. The problems of mass consumerism, the things that are woven into Romero's films, have only gotten worse. They haven't changed. We're at a crisis because of what his films were warning. And now we're at the endgame of that. What is more terrifying than having 1 million species going extinct in the last decade?_

- Jim Jarmusch; "Jim Jarmusch Believes in the Teens, But Not Joe Biden" (Bilge Ebiri); _Vulture_ (June 17, 2019)

_The Dead Don't Die_ is such an unexpected film that when the trailer first dropped, a lot of people assumed it to be a joke of some kind; that the film purportedly being advertised couldn't possibly be real. And there's a good reason for that, as who could have predicted that celebrated indie writer/director Jim Jarmusch would have any interest in making an ensemble zombie comedy? Well, the thing about that is that, as it turns out, he doesn't. Jarmusch has certainly made genre films in the past – _Down By Law_ (1986) is a prison break film, _Dead Man_ (1995) is a western, _Ghost Dog: Way of the Samurai_ (1999) is a samurai film, _The Limits of Control_ (2009) is the story of an assassin, _Only Lovers Left Alive _(2013) is about vampires. Usually, he is exceptionally successful at grafting his worldview onto the generic tropes, often to such an extent that it can be difficult to separate the two – these films are undeniably genre pieces, but so too are they undeniably Jim Jarmusch films. With _The Dead Don't Die_, however, he's not quite as successful; this is very much a Jarmusch film before it's a zombie movie, with these two components often rubbing awkwardly up against one another.

Unexpectedly chosen as the opening film at Cannes 2019, the film has met with mixed responses from both critics and audiences, and it's not hard to see why – glib socio-political commentary is introduced without really going anywhere; heavily promoted performers have nothing more than one or two-scene cameos; some of the characters know they're in a movie, even referring to Jarmusch himself, whilst others do not; a lot of the humour is of the flippant self-congratulatory kind; things become very preachy towards the end as Jarmusch abandons all semblance of narrative progression and shifts gears into a pseudo-TED talk. However, for all that, I enjoyed it. A zombie apocalypse movie set very much in Trump's America, it embraces all the weirdness that such a scenario suggests; the awkward humour works well for the most part, the meta elements are intriguing but not too distracting, and as for the didacticism? Well, nothing that Jarmusch says is incorrect; we _are_ a culture ruled by materialism and we _are_ sticking our collective heads in the sand regarding the fact that we're destroying the only home we have. So it might be inelegant (and Jarmusch has never been a satirist of Swiftian pedigree), but it's not wrong.

Set in the fictional town of Centerville (pop. 738), the film begins as Chief Cliff Robertson (Bill Murray) and Officer Ronnie Peterson (Adam Driver) are following up a complaint from farmer Frank Miller (Steve Buscemi), who claims that a local vagrant, Hermit Bob (Tom Waits), has stolen one of his chickens. Issuing Bob with a warning, the duo are returning to the station when they realise that despite it being 8pm, the sun is still shining brightly, also noticing that their watches have stopped and they can't get any signal on their phones. Meanwhile, at the local diner, Frank and hardware store owner Hank Thompson (Danny Glover) watch a news report about recent "polar fracking", which some believe has knocked the earth off its axis. Returning to the police station, Cliff and Ronnie discuss the situation with Officer Mindy Morrison (Chloë Sevigny), also talking about the town's strange new undertaker, Zelda Winston (Tilda Swinton), a white-haired Scottish woman with a collection of samurai swords and a statue of Buddha. Ronnie and Mindy head home for the night, leaving Cliff with the body of Mallory O'Brien (Carol Kane), a local drunk who recently died. As the sun finally sets on Centerville, however, two zombies (Sara Driver and Iggy Pop) rise from the dead and set out in pursuit of the one thing all zombies crave...eh, coffee.

Very much an ensemble piece, aside from the above characters, we're also introduced to a litany of additional Centerville residents - diner waitress Fern (Eszter Balint); detainees at a juvenile detention facility Stella (Maya Delmont), Olivia (Taliyah Whitaker), and Geronimo (Jahi Di'Allo Winston); gas station owner Bobby Wiggins (Caleb Landry Jones); delivery man Dean (RZA); motel owner Danny Perkins (Larry Fessenden); journalist Posie Juarez (Rosie Perez); cleaner Lily (Rosal Colon); and out-of-towners Zoe (Selena Gomez), Jack (Austin Butler) and Zack (Luka Sabbat).

If _The Dead Don't Die_ has a salient theme, it's apathy, suggesting that humanity is sleepwalking its way towards its own extinction. The zombie apocalypse is depicted as initially slow and distant, not something about which to be overly concerned, until, without us realising how it has happened, there's no escape or chance of salvation. In this sense, Jarmusch uses zombies as double signifiers – they not only represent the apocalypse towards which we are moving, they also represent us, indifferently shuffling our way to an oblivion we know is coming, but which we choose to ignore (at one point, Cliff literally falls into an open grave because he isn't looking where he's going). Targeting rampant materialism, capitalist greed, and moral idiocy in elected officials, the film does provide a narrative explanation for why the dead are rising from the grave (the oft-discussed polar fracking), but really, Jarmusch isn't as interested in the "why" as he is in the "how", castigating a moribund and materialist society which has become blind to everything but trivial consumerist gratification.

In short, Jarmusch is suggesting that as a society, we've become zombified; lazy, instinctual, addicted to things that don't matter (whilst the first zombies we meet want coffee, others are on the hunt for WiFi, Siri, Chardonnay, Xanax, and "Fashion"). Indeed, in this sense, one of the film's more subtle (and interesting) points is that the best way to remain outside such societal calcification is to avoid conformism and remain on the edges of the social contract – the characters who do best against the zombies are the socially ostracised Zelda, the three kids in the detention centre, and the philosophical Hermit Bob, who suggests that "_hunger for more stuff_" has become society's primary motivator. Indeed, the way most of the characters react to the zombies is itself part of the critique – the vast majority respond in a blasé manner, suggesting that in these insane times, when so many people are falling all over themselves to normalise the rantings of the racist, misogynistic, incoherent manchild in the Oval Office, even something like the dead rising from the ground is no big deal.

Of course, using zombies as vehicles for social satire isn't exactly new; George A. Romero did it as far back as _Night of the Living Dead_ (1968), which is more about endemic racism than zombies. He did it to even greater effect in _Dawn of the Dead_ (1978), where he targeted materialistic vapidity. Later, he looked at issues such as Reagan-era militarism in _Day of the Dead_ (1985), economic disparity in _Land of the Dead_ (2005), media impartiality in _Diary of the Dead_ (2007), and tribalism in _Survival of the Dead_ (2009). In this tradition, _The Dead Don't Die_ has its eye very much on the climate change-denying administration in Washington; Frank is introduced wearing a MAGA-style baseball cap with a "Keep America White Again" logo, whilst his dog is called Rumsfeld. Indeed, Centerville itself is very much a quintessential Heartland town, the kind where Trump so successfully mobilised his blue collar base. And whilst it remains a comedy, much of what _The Dead Don't Die_ says is deadly serious – the current xenophobic American government is incompetent to an almost surrealistic degree; facts are no longer considered irrefutable, vying for space with blatant lies, amidst paranoid accusations of "Fake News"; the planet _is_ dying; the polar ice caps _are_ melting, and with them, the future of our species; universal scientific guarantees of impending extinction _are_ largely ignored, whilst the idiots in power discard the warnings of their own people, strip away environmental protections, and continually confuse weather and climate.

One element of the film that's especially interesting is the Pirandellian self-reflexivity, with some of the characters aware that they're in a movie, but the rest seemingly oblivious. For example, the opening credits are scored to Sturgill Simpson's "The Dead Don't Die", and only a few minutes later, the song begins playing on the radio in Cliff and Ronnie's car. When Cliff asks why the song sounds so familiar, Ronnie explains that it's probably because "_it's the theme song_". In another scene, Ronnie is shown wearing a _Star Wars_ key-ring, alluding to his portrayal of Kylo Ren in that franchise. Later, after Ronnie has declared about a million times that "_this isn't going to end well_", an exasperated Cliff asks him how he can be so certain, and Ronnie says it's because he's read the script. This upsets Cliff because he was only allowed to read the scenes in which he appeared, prompting him to complain that he's helped "Jim" out many times in the past and this is the thanks he gets. A few minutes later, when something especially bizarre happens with Zelda (like, really bizarre), an incredulous Cliff asks Ronnie "_was that in the script?_" (according to Ronnie, it was not). And the point of all this self-reflexivity? Honestly, I'm not entirely sure. The fact that only Cliff and Ronnie seem to know they're in a movie is, in and of itself, a little strange, and the fact that it only comes up a few times means that it never really gels as a motif. If I was to guess, I'd say that Jarmusch may be using it in the Brechtian sense to ensure the audience remains a consciously critical observer, more engaged with the narrative on an intellectual level than an emotional level.

For all its positives, however, the film does have some problems. For one thing, the last ten minutes or so will irritate a lot of people, as Jarmusch abandons all semblance of narrative, and gives us a scene over which Hermit Bob delivers a dire assessment of who we are as a species. It's very preachy, it's very didactic, and it will rub some people up the wrong way. Another issue is the humour, which is best described as Jarmuschian – all awkward stilted dialogue, deadpan one-liners, people repeating things other people have said, and subtle winking at the audience. It definitely isn't the kind of broad stroke humour one finds in zombie comedies such as Edgar Wright's _Shaun of the Dead_ (2004) or Ruben Fleischer's _Zombieland_ (2009). Some of the political themes are also underexplored. For example, Frank's MAGA hat is a pointed critique of Trump and those who blindly vote for him and excuse his behaviour, but to what end? Aside from introducing the hat, Jarmusch doesn't really say anything more on the subject. The trio of kids from the detention centre are also introduced as if they will be major players, but they're gradually forgotten about, and ultimately don't play much of a role the story. Also, as Jarmusch himself is well aware, the film isn't really saying anything that Romero hasn't already said.

Nevertheless, I enjoyed _The Dead Don't Die_. It's certainly nowhere near Jarmusch's best, and I can totally understand people who dislike it; a lot of the themes have been explored before, a lot of the jokes have been made before, and the film ends up as neither a terrifying thriller nor a self-conscious meta-comedy, instead occupying a strange middle ground between the two. In this sense, it doesn't do a huge amount to stand out in a crowded field. Having said that, however, the socio-political commentary is undeniably relevant and the cast is universally impressive. And ultimately, you may have a problem with the cynical manner with which the film communicates its message, but that doesn't alter the fact that that message is absolutely legitimate.
This was really disappointing. That I **almost** laughed **one** time is the nicest thing I can say about _The Dead Don't Die_. I don't adore Jim Jarmusch as much as some, but I did expect more than this. Now you could argue that's on me, but I don't think it's **too** out of line to hope that a horror be scary, a comedy be funny, or a respected director's shot at horror comedy to be at least a little bit of at least one of the above.

_Final rating:★½: - Boring/disappointing. Avoid where possible._

Star Wars: The Last Jedi 2017 Free Stream

Star Wars: The Last Jedi 2017 Free Stream









Star Wars: The Last Jedi 2017-lesson-AAF-MPEG-1-Where to Watch Star Wars: The Last Jedi Online-online-2017-ganzer film-FLV-FULL Movie in English.jpg



Star Wars: The Last Jedi 2017 Free Stream



Filmteam

Coordination art Department : Ulysse Charee

Stunt coordinator : Badiou Jadyn

Script layout :Kasam Jamal

Pictures : Hess Gwendal
Co-Produzent : Abram Sloan

Executive producer : Aiden Michela

Director of supervisory art : Fumero Mayra

Produce : Sukey Shoana

Manufacturer : Kaylie Rina

Actress : Kahlan Sonna



Rey develops her newly discovered abilities with the guidance of Luke Skywalker, who is unsettled by the strength of her powers. Meanwhile, the Resistance prepares to do battle with the First Order.

7
9159






Movie Title

Star Wars: The Last Jedi 2017 Google Docs

Time

147 minutes

Release

2017-12-13

Quality

MPEG 720p
Blu-ray

Genre

Fantasy, Adventure, Science Fiction, Action

language

English

castname

Pullman
K.
Khawar, Haben Q. Sylvain, Kyliann Y. Ward





Star Wars: The Last Jedi 2017 Free Stream



Film kurz

Spent : $837,813,707

Income : $264,078,764

categories : Europa - Worte , Lustig - Physiologie , Schrecken - Familie , Grausamkeit - Raumschiff

Production Country : Belize

Production : Schurmann Filmes



I got so high before going in to see "The Last Jedi" it's a wonder I figured out how to get into the theater. We started rocking the shatter bong hardcore, just pump it, pump it, till you can actually feel your brain melting, then hit that nail and do it again and again. At some point somebody asked the question "where are we?" and while I was reflecting philosophically on the matter, somebody else pointed out that we were parked in a lot by the cineplex and we slowly realized that we were here to see 'The Last Jedi'! I could barely function at all, so I went to my old go-to routine of donning dark glasses and a white cane to help disguise my complete stonification by pretending I was just some poor blind guy stumbling around and knocking things over. I usually do this to get past security at rock concerts and it never crossed my mind that a blind guy wouldn't be able to see a movie in the first place, but it worked anyway and soon enough we were in our seats. There were these fucking kids sitting right behind us and they kept kicking my seat like little retards, kicking, kicking, kicking.... so I took the lid off my extra-large Coke and just tossed it over my shoulder. Bingo! Direct hit! The little creeps shuffled off all pissed and whining, covered in sticky cola, us laughing at them, calling them losers, it was great!

Then the movie started. The sound was awesome and everything but the screen was pretty freakin' dark I thought, could hardly make out anything. I started chanting "Turn up the brightness! Turn up the brightness!", expecting the rest of the audience to join in to my righteous chant of outrage, but then I realized I still had my Blind Guy Glasses on. Took 'em off and yup, cleared right up. There was some kind of big space battle going on so we took out our vape pens and started hoofing back lungfuls of sweet sweet shatter vapor. My girlfriend started texting me, bitching at me to pick her up some vag pads on the way home. WTF?? Get up off your fat ass and get 'em yourself I texted back. A barrage of bitchtexts followed, I was a jerk, I was an asshole and bla bla bla... I took a picture of my bare ass and sent it to her as a reply, fuckin bitch, anyway, apparently, this was considered 'indecent exposure' according to the usher-dork who wouldn't shut up about it so we had to leave the movie. We saw those stupid kids in the lobby as we were being escorted out, laughing at US, calling US 'losers'... I wanted to get back at them when they came out, even formed this elaborate plan where we would swoop down on them and soak them with freezing water this time, but we ended up just getting high again then went to Burger King.
My oldest son, as well as myself of course, wanted to watch this movie already before Christmas when it went up Geneva but it was pretty much sold out (unless you wanted to sit at the very edge of the theatre). I manage to book tickets for yesterday though so…here’s my ramblings about the movie.

As usual with these kind of movies, where there is a large following of fans, there is also many dissenting voices. Some people apparently are going as far as to want this movie to be undone. Well, my take on that is that these people need to grow up or let go or both. Luke is no longer a young farm boy running around saving the universe. The Star Wars universe and its characters are evolving and that is the way it should be and the way it is. Time for the next generation to pick up the torch.
Both me and my son really liked this movie. After the abysmal episodes I to III (Jar Jar Binks still haunts me in my dreams) I have really enjoyed the Star Wars movies.

I quite liked The Force Awakens but it is true that it felt a bit like a rehash of A New Hope. Not only does this one not feel like it is reusing old material (too much) but it also feels like it is opening a new chapter in the Star Wars universe.
The FX is as good as you have the right to expect from a Star Wars movie. The story is fresh and well developed. It will not win any Oscars of course but I liked it. It makes things evolve while at the same time giving enough room for action and a wee bit of humor.

The characters are almost all good and well played. I am looking forward to seeing more of most of them, especially, Rey and Poe. I’m not 100% convinced about Finn and Rose but I can live with them. Kylo Ren do not yet fill up the shoes of Darth Vader but he is showing promise. Contrary to Snoke I do feel he should put on a mask though.

The two characters I did not really like was General Hux and DJ. The first one was just incompetent. I’m not sure if he was supposed to be a bit of comical relief or not but, as far as I am concerned, we can do without him. DJ, well I guess he was supposed to not be liked so he did a good job of that but these kinds of assholes just frustrate me to no end. We never saw him actually meet his demise in this movie so if he is brought back I hope it will be for the sole purpose of rectifying that oversight…as violently and painfully as possible.

Of course, we saw a few new ships as well and as usual with the Empire bigger is better…or maybe not. Not sure what to say about these new designs. At least they did not look like a enlarged (except for the bridge) Star Destroyer like Darth Vader’s Super Star Destroyer.

One thing that really bugged me in the first battle though was the rebels’ so called “bombers”. What kind of bloody moron designed those? They were just so wrong in so many ways. The design itself was just silly looking. They were slower than a flee on a patch of tar. Seriously, a space bomber that crawls along? Actually, why make a “bomber” in space at all? That brings us to the biggest gripe of them all with this ludicrous design…dropping bombs vertically? In space? How the fuck do they fall?

Sure they looked somewhat cool when they dropped their bombs…if your knowledge of physics is on the level of your average politician (and obviously a few Hollywood employees as well).

Anyway, on the whole me and my son had two and a half hours of great fun watching The Last Jedi. I hope the next movie expands on the threads this one started. I have to say that I was a bit sorry about the feeble state of the resistance at the end, so I do hope the next writer will not let this drag on. One way to ruin Star Wars for me would be to turn Star Wars into some Battlestar Galactica variant with resistance survivors on constant run from the empire. Now it is time for the resistance to strike back, and for Rey to evolve her Jedi powers.
There is so much to love about _The Last Jedi_. I was very entertained watching this 8th _Star Wars_ saga film, I'll see it again, there's some truly beautiful scenes, all that jazz. But I am not fully on board with _The Last Jedi_. The film is a fun watch, and if you were to take it as a whole, then place it in a bubble, it's a pretty good movie too, but a lot about it is... Pointless. I'm not saying the movie was pointless, it has a lot to offer, and deserves its place as Episode VIII, but there are moments started within _The Last Jedi_ that end up being pointless by the time the credits roll, and more than that, it goes back to ideas from the _Star Wars_ saga as a whole, and makes them pointless too.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Really disappointing. Our heroes of Star Wars have essentially wasted their lives and achieved nothing.

We were promised sequels and got a retread. I for one would have loved to see the building of the Galactic Republic against terrorists of the Imperial Remnant. Instead, we got Failure Luke, Failure Leah, gone nowhere Chewie and a rebel alliance that appeared to entirely fail to do anything meaningful after episode 6.

I actually have less difficulty accepting 1,2 and 3 into canon then I do this pap. My headcanon has already decided, these movies do not count.
The Last Jedi started with a very tense emotion, capturing all viewers' attention tightly including mine (I've seen all movie episodes of Star Wars series so this type of scenario should look familiar to me).

This tense and epic feeling filled the entire film, so even it is a bit lengthy, people won't sleep over :) however, the scenes involving Rey and Luke on the isolated island planet look super quiet and mindful. It was similar to the scene in previous episode when Luke was seeking help from the Yoda Master. However, it felt more complex, because never had Yoda been described being evil, not a bit.

One tiny detail that I felt redundant and unconvincing was the reincarnation of Leia Princess. How did she fly back to the ship? As far as I can tell, no reason is given in the film. This lets you suspect whether she was going to be who can command the Force like a Jedi, but well all you can do is just suspecting.

Another critical option that I had to express was about the role of Kylo Ren. He is a complex character, and I am not sure that he believed in until the very end of the story. The climax of this complexity arrived at the scene when he killed Snoke and fought along with Rey, trying to persuading her to come for *a new world*. But this complexity simply came and disappeared. The story continued in the old way and our powerless always furious Ben Solo kept playing a simpleton role of any typical bad guy. The role is depicted as, adequately complex, but not consistent and lively enough (compared to the former Lord Darth Vader).
Star Wars: The Last Jedi – This Is Not The Film You’re Looking For

Star Wars: The Force Awakens kicked off the Sequel Trilogy and many proclaimed the movie has returned Star Wars back to form. Though the plot of the movie is literally the same as A New Hope, The Force Awakens invoked mysticism of the characters and plot elements and raised numerous unanswered questions that would hopefully be answered in the next installment. Star Wars: The Last Jedi follows directly after the events of Star Wars: The Force Awakens and though the film attempts to hurl the Star Wars franchise into newer territory, the Last Jedi is a visually stunning spectacle that managed to undermine everything established in The Force Awakens and does great deal of disservice to our legacy characters.

Rey – Overpowered?

One of the biggest gripes I had with The Force Awakens was that Rey was insanely good at just about everything. She beat Kylo Ren, an experienced Force user, with no Force/lightsaber training, performed a Jedi mind trick with ease, flew the Millennium Falcon with little trouble, and managed to stop Kylo Ren from probing her mind. We were introduced to the mystery of Rey’s parents and her strength with the Force, neither of which are addressed in The Last Jedi. A relatively short passage of time occurs between films and Rey is even more overpowered than ever, receiving absolutely no training from Luke and she bests him (a Jedi Master!) in combat with no explanation as to how she is so strong with the Force. Luke in the Original Trilogy started off as a farm boy who has no knowledge of the Force until Obi-Wan teaches him about it. He received training by Yoda and failed miserably at combating Darth Vader, losing a hand and his lightsaber in the process. By the time of Return of the Jedi, Luke is established as being an experienced Force user who constructed a new lightsaber and is able to perform Jedi mind tricks. Rey, on the other hand, shows no signs of struggle and easily manages to lift boulders by the end of the film (Luke struggled to even concentrate and lift a small amount of rocks when training with Yoda). The film offers no attempt to address Rey’s Force strength and we’re left with having to accept she’s strong for no reason. Had there been a much longer passage of time between films, then it would be a bit more acceptable. However, her unanswered strength in the Force further solidifies the fact that she is overpowered. Rian Johnson has set her overpowered nature in stone and doesn’t leave much room for her character to grow and develop in Episode IX. All that we can expect for Episode IX is another showdown between Kylo Ren and Rey and it’s obvious that Rey will win.

Finn & Rose – The Canto Bight Tales

Finn was established in The Force Awakens as a former First Order Stormtrooper that became disillusioned with the First Order and decides to flee, getting as far away from the First Order as possible. Finn decides to stop running away when Rey gets captured by Kylo Ren, overcoming his fears and decides to take charge in rescuing her. He even directly battles Kylo Ren at the end, though he is easily defeated and severely injured. His character (and his arc) is tossed aside in The Last Jedi, delegated to being just a side character of no importance to the film’s plot. Finn is paired up with Rose (who’s just as bad as Jar Jar Binks) and go on a mission to Canto Bight to look for a master codebreaker to disable the First Order’s hyperspace tracker. The Canto Bight segment is easily the worst portion of the film that drives the pacing to a screeching halt, offers nothing of importance to the overall plot and results in no actual payoff. Finn and Rose conveniently find a hacker (DJ) when jailed for a parking ticket and manage to escape, freeing numerous abused horse-like animals in the process but leaving the slave children behind. When on board Snoke’s flagship, they are caught by the First Order and DJ reveals he tipped the First Order to save his own skin and for a monetary reward (So unexpected!). Finn battles with Captain Phasma, who is quickly discarded and they steal a transport to Crait. During the Battle of Crait, Finn is given a tremendous moment to shine as a hero when he decides to sacrifice himself by flying the vessel directly into the Death Star-like battering ram, but is pushed out of the way by Rose who delivers a cringe-worthy line of “saving what we love.” This moment will forever solidify Rose as the worst Star Wars character and steals Finn’s moment of glory. His sacrifice would have given Finn a solid character arc from a cowardly First Order deserter to being a heroic figure who gave his life to save others. Rose’s idiotic choice could have resulted in the First Order wiping out the Resistance and she will always be remembered as the character that managed to be worse than Jar Jar Binks.

Poe v Holdo – Dawn of the SJW

Poe Dameron is an exceptionally skilled pilot that planned a calculated attack on the First Order Dreadnought and though his plan to destroy the Dreadnought resulted in numerous Resistance casualties, Poe is successful at destroying the Dreadnought, but is immediately demoted by General Organa (Leia) and command is given to Vice Admiral Holdo (Purple Haired SJW). Poe knew the risks of war and deemed it necessary at the moment to destroy the Dreadnought and had he not acted on his gut instinct, the Resistance would have been completely obliterated. Instead, he is treated like he’s a bumbling idiot and Holdo refused to even notify Poe of the plan with the escape pods. It honestly feels as if this film has an SJW/Feminist agenda that strongly attempts to make the male characters (Poe, Hux, Kylo Ren, etc.) as nothing but idiots and elevates the women to a level of superiority. Politics will always have a place in the Star Wars franchise (the Prequels were built upon a politically driven foundation), but not in this shape or form. Even though Poe’s plan of destroying the Dreadnought was successful and allowed for the Resistance to escape, he is seen as unhinged and acting out of line by Holdo, never once acknowledging Poe for his heroic action of practically saving the Resistance. Poe is denied the opportunity of being the heroic figure, but it was perfectly acceptable for Holdo to sacrifice herself by flying the Resistance cruiser through Snoke’s ship. Holdo did nothing memorable to deserve a heroic sacrifice and it’s absolutely disgraceful that Poe’s character is painted as this unhinged, reckless pilot who is made out to be an idiot for his actions. Poe deserved a much better character progression in this film. As for Holdo, she was placed in this film for the sake of having a woman be in charge for no apparent reason other than to drive the fact that the man (Poe) is an “idiot” and the woman (Holdo) is the “superior, intelligent figure.”

Snoke – In The End, It Doesn’t Matter

Supreme Leader Snoke was set up to be the mastermind pulling the strings of the First Order and the next main villain after Palpatine. He is portrayed as a mysterious, disfigured individual who’s strong with the Force and swayed Ben Solo to the Dark Side. In The Last Jedi, he is seen dressed in golden robes in a red throne room and his royal Praetorian Guards protecting him. He displays a tremendous amount of strength in the Force by conjuring Force lighting directly into the ground and sending Kylo Ren flying back and suspending Rey in the air in an intensely painful Force grip. He even was able to merge the minds of Kylo Ren and Rey together across the galaxy using the Force. He was set up to be this figure who’s just as powerful and intimidating as Palpatine. But alas, Snoke is immediately discarded in the film and dies in a very unsatisfying manner. Who he is, where he came from and how he rose to power no longer matter: He’s just an extremely powerful and disfigured individual with no provided background information. Snoke decides it’s smart to place Luke’s lightsaber on the throne’s arm rest and continues to taunt and insult Kylo Ren with Rey on the floor. He orders Kylo Ren to kill Rey and gloats that he knows what Kylo Ren is thinking. However, Kylo Ren slowly moves Luke’s lightsaber towards Snoke with the Force (How Snoke or none of the Praetorian Guards notice is beyond comprehension). He then ignites the lightsaber, which impales Snoke and is then cut in half, the top half of his body tumbling to the floor. His death also puts the numerous fan theories to death. Snoke no longer matters.

Kylo Ren – Still Throwing Tantrums

One of the best aspects of the film is not Luke Skywalker: it’s Kylo Ren. Right off from the start, Kylo Ren is insulted and scolded by Snoke, which causes Kylo Ren to leave the throne room and smash his mask into pieces. Kylo Ren is still shown to struggle with the Dark Side and when the opportunity comes to blow up the command bridge Leia is on, he hesitates and decides against killing his own mother. Kylo Ren seemed to solidify his status as a villain in The Force Awakens when he killed Han Solo and in this film, he questions his own intentions and through his Force communication with Rey, the idea that Kylo Ren could be redeemed is brought into question. It’s a very interesting idea seeing Kylo Ren possibly turning back to the Light Side. The team-up between Rey and Kylo Ren was also another well-done idea that showed Rey realizing that she could possibly bring Kylo Ren back to the Light. Rey decides to see Kylo Ren in an attempt to turn him away from the Dark Side, then it’s revealed that Snoke manipulated the Force between them to lure Rey to him. After Kylo Ren kills Snoke with Luke’s lightsaber, Rey and Kylo Ren team up with each other and take on the Praetorian Guards in one of the greatest combat sequences in all of Star Wars. Kylo Ren is able to easily defeat many of the Praetorian Guards and when it seems that Kylo Ren will turn away from the Dark Side, he asks Rey to join him by his side. Disillusioned by the fact that Kylo Ren just wanted to overthrow Snoke and assume leadership of the First Order, Rey and Kylo Ren engage in battle and destroy Luke’s lightsaber in the process. The idea of establishing Kylo Ren as the main villain of the Sequel Trilogy is quite intriguing and allows for more room to develop Kylo Ren into the ultimate villain, though it came at the cost of killing off Snoke. Overall, Kylo Ren is a very solid character with a more defined vision of being the leader of the First Order.

Leia Organa-Skywalker – I’m Mary Poppins, Y’all!

Sadly, this film marks Carrie Fisher’s final film appearance due to her death in late 2016. It was great to see more Leia in this film, though her role is largely downplayed and does not get a moment to shine like Luke and Han. Leia has been shown in past films to be Force-sensitive, but the way this film portrays her Force abilities is beyond terrible. After the command ship’s bridge is blown up, Leia gets sucked out into the vacuum of space and is assumed to be dead. However, she opens her eyes and is shown to have actually survived. She reaches out her hand and proceeds to literally fly towards the main Resistance cruiser that makes her Mary Poppins in space. We all knew Leia was Force-sensitive, but the way her Force abilities were portrayed was executed horribly. No one talks about or brings up Leia surviving while in space and Leia herself doesn’t even speak about it at all for the remainder of the film. She is hospitalized on the ship and command is then given not to Poe, but to Vice Admiral Purple Hair. Prior to her Mary Poppins moment, Leia berates Poe for his successful plan in destroying the Dreadnought and demotes him on the spot. Why is Leia so upset over Poe’s plan? Poe knew the risks in launching the attack and his plan resulted in the destruction of the Dreadnought and possibly killed thousands of First Order members. Leia and Holdo seemed to just team up on Poe, labeling him an idiot for launching a successful attack. Despite these issues, Leia should have been the one to fly the cruiser directly through Snoke’s flagship, it would have been the honorable way to send off Leia, allowing her to have a truly shining moment. Her Mary Poppins Force moment absolutely defies how the Force works. With the death of Carrie Fisher, her final performance as Leia ends on a quite dim note and she deserved a much better send-off.

Luke Skywalker – This Isn’t The Jedi You’re Looking For

After the cliffhanger of Rey handing Luke his blue lightsaber on Ahch-To, the fan base was eager with joy on what direction the story will go with the reveal of Luke Skywalker. Luke holds his original lightsaber and has a look of mixed emotions, then the unexpected happens: Luke throws the lightsaber over his shoulder and storms off. What should have been an epic moment in Star Wars history was turned into a moment for a cheap laugh. I take this scene as a metaphor for The Last Jedi: J.J. Abrams handing over The Force Awakens to Rian Johnson, who proceeds to throw out just about everything established in The Force Awakens for the sake of being “different” just because. Though I praise Mark Hamill’s epic performance as Luke Skywalker and honestly love Luke’s portrayal, the direction they placed for Luke was severely underwhelming. Luke reveals he traveled to Ahch-To for the sole purpose of wanting to die, which goes against what Han said about him seeking out the first Jedi Temple. So what was the point of the map in the previous film if he didn’t want to be found? Then in a flashback, he actually considered killing his own nephew at night by creepily sneaking into his hut and probing his mind, then discovers a lot of darkness and corruption by Snoke. So instead of confronting his nephew during the day, he considers killing him in his sleep? This is the same Luke that sensed the good in his father Darth Vader and personally went on a mission to bring his father back to the Light, of which he ultimately succeeds. Yet, because he probed Ben Solo’s mind and saw darkness, Luke deemed it necessary to just flat-out murder his nephew? This felt extremely out of character for Luke to even consider doing such a thing. This is also the same Luke that went out of his way to save the Rebellion, fought alongside the Rebellion, and played a major role in the Empire’s defeat. Then in this Sequel Trilogy, he gives up and lives in isolation after the massacre of his Jedi Academy, doesn’t seem to care at all about the rising threat of the First Order, and shuts himself off from the Force. Later in the movie, he has a change of heart and appears on Crait, walking directly towards the army of AT-M6s, AT-ATs, and AT-STs. He and Kylo Ren duel, though Luke doesn’t swing his lightsaber once and simply dodges all of Kylo Ren’s hits. Kylo Ren impales and slices Luke, but nothing happens and in a “twist”, Luke is revealed to be Force projecting himself and did not leave Ahch-To at all. He fades away from the battle, leaving behind a furious Kylo Ren. At the end of the film, Luke stumbles over on the rocks he was sitting on and looks out into the horizon, sees two suns (reminiscent of A New Hope) and dies, becoming one with the Force. Though I praise the idea of using a Force projection, it does a great disservice to Luke Skywalker’s character and undermines his character’s growth from the Original Trilogy. Luke should have physically appeared on Crait and demonstrated his vast strength in the Force by easily destroying the artillery and engaging in a fierce duel with Kylo Ren, but ultimately loses and is struck down by his nephew. That would have given tremendous emotional depth to Luke and be a showcase on how far along Luke has grown with the Force.

Other Bad Moments In The Last Jedi

Like all Star Wars films, The Last Jedi features a lot of flaws and some very questionable moments that don’t do this movie any justice:
- Humor has a place in Star Wars, but not to the point of distorting the tone of the film, making it seem like a Marvel film (ex. Poe trolling Hux at the beginning of the film was cringe-worthy and feels out-of-place).
- General Hux was honestly a sinister figure in The Force Awakens. He is turned into a complete incompetent fool in this film and is oblivious to the fact he’s being prank called by Poe.
- Captain Phasma was again underutilized and despite putting up a strong fight against Finn, she is quickly killed off. What was the point of bringing back Phasma?
- Canto Bight killed the pacing of the film and resulted in no beneficial pay-off to the movie’s overall plot.
- Rose preaches about the rich being bad people for selling weapons to the First Order and feels the need to preach about the abuse the race animals face, yet offers no sympathy at all to the slave children.
- The final scene featuring the young slave child using the Force to pull the broom gives the idea that anyone can use the Force with no training whatsoever.
- Luke doesn’t seem to react at all when he learns of Han Solo’s death.
- No Knights of Ren in this film, not even a mention or any clue as to their whereabouts.

Other Great Moments In The Last Jedi

Despite the numerous issues that plague this film, The Last Jedi features a lot of great moments that truly shine:
- The opening scene and subsequent assault on the Dreadnought was very action-packed and felt like a true Star Wars film
- The final battle on Crait, though highly reminiscent of the Battle of Hoth, was phenomenal and the idea of using a Death Star-like battering ram was well-executed.
- Snoke’s throne room battle between the Praetorian Guards against Rey and Kylo Ren is honestly one of the greatest battles in all of Star Wars. It was well-choreographed, tense, and demonstrated how powerful a team Rey and Kylo Ren make.
- Finn and Captain Phasma’s battle was spectacular and seeing Phasma deflect a blaster shot with her armor was amazing.
- Rey and Kylo Ren’s Force communication added much needed development to both characters and added a layer of depth to their own motivations.
- Luke’s interactions with Rey were well-done, especially when Rey literally reaches her hand out to the Force, Luke plays along and brushes a leaf against her hand.
- Chewbacca feasting on a Porg and a group of Porgs look at him with fear in their eyes.
- Luke seeing R2-D2 on board the Millennium Falcon and R2-D2 plays the original message by Leia.
- Yoda’s appearance as a Force ghost and knocking some sense into Luke.
- Holdo flying the Resistance cruiser through hyperspace at Snoke’s flagship, resulting in the destruction of numerous First Order ships.
- Luke confronting the First Order on Crait, of which Kylo Ren orders them to fire at Luke with all their artillery. Luke walks out of the smoke undamaged and dusts his shoulder off.

Closing Comments

Despite the film having moments of greatness scattered throughout its runtime, The Last Jedi is heavy on flaws that are magnified as the film progresses. The film seems to take the quote “Let the past die, kill it if you have to” to heart and literally kills the history of what’s came before, especially The Force Awakens. Just about everything established in The Force Awakens is simply swept under the rug. The end of the film places the Resistance back to the same state the Rebellion was at in A New Hope. Why is this new trilogy just simply repeating the past? Though Rian Johnson is a fantastic director, he simply does not work for Star Wars and proves with The Last Jedi he has no understanding of how Star Wars works, especially with regards to the Force. The Force is treated more like a superpower that anyone can attain with no training required. The Last Jedi is far from being the worst Star Wars film, but is still far from being the best. J.J. Abrams is slated to return to the franchise to direct Episode IX and will attempt to fix the mess that Rian Johnson left behind with this new trilogy. Help us, J.J. Abrams. You’re our only hope.

Rating: 6/10
Completely obliterates established Star Wars lore.

The writers of this film have no respect for Star Wars nor do they have an imaginative bone in their body. I felt like I was watching a shonen jump anime with the overuse of comic relief and usually placed in the most awkward moments. It was a desperate attempt to copy Marvel movie writers and failing miserably. The way they presented Luke Skywalker was an abomination and the story of the film was just plain boring and didn't make sense in so many places that listing it here would be so long that it would put you to sleep. I had to watch the film in 3 sittings it was so bad. Disney has now properly fucked Star Wars.
The last jedi is clearly the last SW movie I`ll ever see. Everything was bad. Story, casting, acting, CGI, everything.. I just want my 2 hours back.. please..
"Not the best but certainly the most overhyped"

As the Rebellion tries to evade The First Order, Rey asks Luke Skywalker to teach her the ways of the Force. Meanwhile Kylo Ren is still a whiny POS.

Director/writer Rian Johnson faced a gargantuan task. Two years ago J.J. Abrams did the impossible by making a successful sequel to ‘Star Wars’. Johnson had to follow that up with something more creative because let’s be honest, ‘The Force Awakens’ (TFA) was a copy. He succeeds partially.

When the movie started there were cheers. It doesn’t get any better than the iconic opening crawl with John Williams’ score. Although there’s a certain resemblance to ‘The Empire Strikes Back’ (opening scene, Luke on the remote planet) ‘The last Jedi’ isn’t a copy. Johnson has came up with a more or less original story with new characters and some twists.
However, the problem with some of the new characters is that they get too much screen time while contributing nothing to the story. In some cases up to the point where they’re just plain annoying. Benicio Del Toro anyone? Meanwhile we find out nothing new about the characters we got to know in ‘TFA’. Rey, Finn & Dameron still feel new.

The villains are another problem. The most iconic part about ‘Star Wars’ has always been the villains. Darth Vader is an icon. Emperor Palpatine and Darth Maul were also quite impressive. Without spoiling anything I think it’s safe to say Kylo Ren (who’s still suffering from huge mommy and daddy issues), Supreme Leader Snoke & General Hux are terribly underwhelming.

That of course doesn’t mean it’s a bad movie. Although it runs too long it entertains. The effects and choreography are top notch and the overall look of the film is stunning. DOP Steve Yedlin does a fine job. The final battle looks amazing ( the red stripes on the salt plains). Although there’s a bit too much humor for our liking, there’s some genuine funny moments. The Porgs have a bright future ahead of them marketingwise.
Of course there’s the nostalgia factor. It’s great to see those familiar faces again and the sound of lightsabres and TIE fighters are music to our ears.

On the other hand it’s obvious Johnson and Disney want to go down a new path. Whether that path is the right one remains to be seen. With the announcement of a new trilogy coming up it feels like they’re milking it. And you can take that literally. What’s up with that milk scene? Cringeworthy.

The biggest problem is that ‘The Last Jedi’ is incredibly hyped. There are reviews that say the movie is dark and that it’s the best since ‘The Empire Strikes Back’. I know opinions can differ but it doesn’t come close to any of the original trilogy.
This one killed the franchise! I have been watching Star Wars movies since they started literally, going to the theater and enjoying the fun. Love the original three. Liked the prequels well enough. I even enjoyed the cute little Ewok movies, with the kids.

These later films have been a mixed bag. Most were watchable enough, though not really the caliber of the old films Sure, the effects are great, but a good movie needs more than special effects and cool alien makeup and some fun droids.

This movie was seriously disappointing. Everything about familiar characters was changed, and the plot was so busy with pushing some weird agenda that it failed to deliver any of what we go to a Star Wars movie to see. At this stage, I couldn't care less about the newer characters, and the whole "Mary Sue" aspect to the one main girl (see, I can't even recall her name!) is just annoying. This film w bad enough that the dedicated SW fanboy in my household just quit watching, and actualy, for the first time ever, skipped the following movie entirely.

So, congrats, Disney; you killed one of the most successful franchises ever.

Blades of Glory 2007 Free Stream

Blades of Glory 2007 Free Stream









Blades of Glory 2007-scene-MP4-MP4-Movie Length-makeup-2007-Sonics-DDP-HDTV-Online Movie.jpg



Blades of Glory 2007 Free Stream



Filmteam

Coordination art Department : Vigo Carlson

Stunt coordinator : Zikrah Hinton

Script layout :Serge Aleta

Pictures : Iris Satin
Co-Produzent : Chana Zaynab

Executive producer : Thaiba Kavir

Director of supervisory art : Christa Elim

Produce : Béland Layana

Manufacturer : Parrot Tristen

Actress : Adnane Perseus



When a much-publicized ice-skating scandal strips them of their gold medals, two world-class athletes skirt their way back onto the ice via a loophole that allows them to compete together as a pairs team.

6
969






Movie Title

Blades of Glory 2007 Google Docs

Time

172 minutes

Release

2007-03-30

Kuality

WMV 720p
DVDrip

Genre

Comedy

language

English, 日本語

castname

Kaiser
Y.
Moia, Skyla L. Pauline, Trevor K. Mosès





Blades of Glory 2007 Free Stream



Film kurz

Spent : $471,504,346

Income : $244,189,231

categories : Raum - Tapferkeit , Hochzeit - Schauplätze , Epoche Film - Super Heroes gesunder Menschenverstand , Hölle - Mutter Stolz Apokalypse

Production Country : Paraguay

Production : The Cartel